David Boronkay, Billy Burns, and Asher Nichols possess a unique skill set. As preservation enthusiasts, these professionals employ time-honored carpentry and design techniques to achieve historical accuracy in pre-twentieth century homes. Stabilizing compromised structures, preserving architectural details, and re-creating historical design elements are their purview. Their quality workmanship ensures continued long life for some of the region’s oldest houses.
“I think it is important to honor the history of older homes,” says Boronkay, principal of Slocum Hall Design Group. “Preserving or replicating what is original to the house helps maintain its vintage integrity. If someone is looking to truly restore a home, the original woodwork is very important to the basic fabric of the overall design.”
Sometimes their work is a matter of removing decades of paint and refurbishing the wood to its original state. Other times, they may be charged with traditionally milling every piece of woodwork by hand. In either case, Nichols, principal of Asher Nichols & Craftsmen, notes: “Working with the palette that is presented and the surroundings of the property is the most important thing.” Boronkay adds, “In houses that have been essentially bastardized since the 1960s, ’70s, and ’80s, where original moldings have been covered up or ceilings have been dropped, that’s when we go in and do a demolition. We look for clues and find original moldings that we can then replicate—it really enriches the character of the house.”
Currently, Nichols and his team are renovating the interiors of a 1920s house in Brookline, Massachusetts. The goal is to modernize its functionality in terms of cost efficiency and amenities, while maintaining historical accuracy, which is particularly important given the home’s location in an historic district. A large part of the work entails matching the new molding profiles with those that exist on a room-by-room basis.
Burns, a carpenter with Asher Nichols & Craftsmen, is versed in architectural details dating back to the 1600s. As a graduate of North Bennet Street School’s Preservation Carpentry program, Burns has a deep understanding has a deep understanding of New England’s architectural heritage. He makes the point that restoration work in New England includes houses from the seventeenth century up through modern times. “It doesn’t need to be an eighteenth-century home to have restoration carpentry work done,” he says. Regardless of the era he is working to replicate, Burns appreciates the speed at which modern tools accomplish centuries-old techniques. On occasion, however, he resorts to old-school methods. “Though today’s tools are faster and stronger, there have been times when I go back to taking out my planes and chisels when doing historic trim work or planing a window.”
In addition to its role in maintaining historical integrity, carpentry work can help to date a house. If, for example, the frame is made of hewn timber—round logs made square using an ax, which leaves scallop-shaped marks—then the house dates to the 1700s or early 1800s when that technique was ubiquitous. Likewise, circular-sawn timber reveals arcing marks, indicating mid- to late-1800s construction.
To every job Nichols brings a philosophy developed around the ideas of craftsmanship and working with one’s hands. “If you appreciate and respect the effort and thought that went into the building of these historic homes, that will give you a good basis to [replicate] the passion and craft, and make it blend as well as it can,” he says. It is this love of history, materials and hard work that promises the preservation of our region’s cherished historical homes.
Text by Kiley Jacques
Slocum Hall Design Group Photographs by Shelly Harrison
Asher Nichols Photographs Courtesy of Asher Nichols
